“Charles?” I asked, “How much to hire you for the day?”“Hire?”“Yes ... but you’ll need to fetch and carry.”“Fetch and carry?”“...es,” I said.“All day?”“On a decent day, I clear a hundred and twenty-five.”“What’s your best day?”He got a faraway look, “Canada wide Baptist Convention... 500 ... but it was constant.”“So ... Five hundred and follow me around?”He picked up a microphone... “Charles,” he said.The radio squawked, “Charles.”“I’m out of service ... I have an all day.”“Very good, Charles is. “A sad and somber piece, isn’t it Isabeau?” he asked the stubborn sixteen year old.She did not reply.Next, he played part of Franz Liszt’s, Totentanz (Dance of the Dead). The sound his fingers tore out of the piano was angry, desperate, and filled with fury. It caught Isabeau’s attention.“Liszt is said to have damaged pianos when he played. Most will tell you that it was the force with which he played that caused the damage. They are wrong. It was his passion and his obsession with death that. More

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