In the early Thirties Dupain was making surreal double exposures and floral studies using the solarisation technique that Man Ray had popularised. His...studies of industrial buildings and machinery echo the quality of imagery being produced at the same time in the US by Margaret Bourke White.By the late 1930s Dupain was working as a professional photographer, with fashion and portaiture work as a preference but taking anything else that was available. Outside work he was making the documentary. Benni stared at him with a questioning look."I'm Qi" he said."Ah, the 2Q couple," Benni said. "Too Cute or however the double entendre works. Why did I summon you here?" Digital espionage," Qi said. "Kay received it yesterday. I thought she was supposed to be here with me."Benni did not acknowledge his statement. He was already buried in a digital display that spread out across his desk that Qi could not read upside down. No matter how barbaric one considered the Families, they had a knack for. More

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